Monday, August 26, 2013

Shakespeare vs. "Shakespeare" Information from Presentation


Shakespeare
vs.
“Shakespeare”

“Shakespeare was born, he wrote, he acted, and died. These things happen. But Shakespeare’s presence and prominence in our culture depends not on the fact that these things happened so much as it depends on the fact that there are structures in place which continually reproduce those events or their effects. The labor for Shakespeare’s continued presence is ours, not his, and not history’s.”

                                                --Matt Wagner

“Shakespeare was born, he wrote, he acted, and died. These things happen. But Shakespeare’s presence and prominence in our culture depends not on the fact that these things happened so much as it depends on the fact that there are structures in place which continually reproduce those events or their effects. The labor for Shakespeare’s continued presence is ours, not his, and not history’s.”

                                                --Matt Wagner

How did Shakespeare become “Shakespeare”?

General History

                Ideology of Liberal Humanism

Specific History

                Cultural Promotion of Shakespeare

Ideology of Liberal Humanism

Christianity®Humanism

Questioning of the Catholic Church

Desacralization of everyday life

Focus on man and man’s possibilities

Bologna (14th Century)

Diego Velazquez

Las Meninas

1656

We are included and excluded at the same time

Piero della Francesca

The Flagellation of Christ

1469

Possibly the first use of perspective in visual art

Leon Battista Alberti

Wrote treatises about creating perspective drawings

1435

“Perspective” comes from a Latin word, meaning “to see through”

Sebastiano Serlio

Design for Tragic Scene

1569

Serlio - Comic Scene

Serlio - Pastoral Scene

Conceptual Results

Objectivity

We have developed a world that we are both inside and outside

We are most inside it when we are most outside it

We are all separate from the depicted world, and it is this separation that unites us

Supremacy of the Prince

Most objective

Omniscient

Secular center of human existence

English Renaissance

1516, 1551: Utopia, Thomas More

1534: Henry VIII denounces the Catholic Church and institutes the Church of England

1558-1603: Elizabeth I

1588: English defeat Spanish Armada

1611: King James version of The Holy Bible

“Our ideas as to what makes the self authentically human owe more to Shakespeare than ought to be possible, but then he has become a Scripture, not to be read as many of us read the Bible or the Koran or Joseph Smith’s Doctrines and Covenants, but also not to be read as we read Cervantes or Dickens or Walt Whitman. The Complete Works of William Shakespeare could as soon be called The Book of Reality, fantastic as so much of Shakespeare deliberately intends to be.”
                                                --Harold Bloom

“Bardolatry, the worship of Shakespeare, ought to be even more a secular religion than it already is. The plays remain the outward limit of human achievement; aesthetically, cognitively, in certain ways morally, even spiritually. They abide beyond the end of the mind’s reach; we cannot catch up to them. Shakespeare will go on explaining us, in part because he invented us.”
                                                --Harold Bloom

How did Shakespeare become “Shakespeare”?

Three significant events:

  1. Restoration England

Restoration England

Civil War (1642-1660)

Plague of 1665

Great Fire in London, 1666

“We must gather around some calm and indifferent things.”
                                                --Thomas Sprat

John Dryden, “Dramatick Poesie”: Argues that England should take their heritage and fashion something new.

How did Shakespeare become “Shakespeare”?

Three significant events:

  1. Restoration England
  2. English Imperialism in the beginning of the 20th century
  3. Present-day cultural production

Shakespeare and Tourism

“Visits can be structured as in safaris and cruises, but the touristic site is only the occasion for the adventure: seeing the Acropolis, touching its stones, is ultimately a prompt for an event that occurs in the mind of the visitor, as the meaning of a performance occurs in the mind of the spectator.”

                                                --Dennis Kennedy

The Globe Theater

 

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