How to Cite
Shakespeare: MLA Format
The following is taken from the following website:
If you have further questions, also look at:
§
Italicize the
titles of plays:
Richard III or Othello.
§
Cite line and
page numbers up to 101 like this: 34-37; above 100, you repeat only the last
two figures: 211-12 (but of course, 397-405 and 96-109). Use
arabic numerals rather than roman numerals for citations of acts, scenes, and
line numbers:
Twelfth Night (1.5.268-76).
§
Always use
arabic numerals to refer to acts and scenes:
In 3.1, Hamlet
delivers his most famous soliloquy.
(Do NOT say: In Act III, scene i, Hamlet delivers his most famous
soliloquy.)
§
Periods and
commas ALWAYS go inside quotation marks:
“Periods and
commas,” says Dr. Womack, “ALWAYS go inside quotation marks.”
§
If a prose
quotation runs four lines or less, put it in quotation marks and incorporate it
in the text:
The immensely
obese Falstaff tells the Prince: “When I was about thy years, Hal, I was not an
eagle’s talon in the waist; I could have crept into any alderman’s thumb ring”
(2.4.325-27).
§
If a prose
quotation runs to more than four lines, set it off from your text by beginning
a new line, indenting one inch from the left margin, and type it double-spaced,
without adding quotation marks. A colon generally introduces an indented
quotation.
In Much Ado About
Nothing, Benedick reflects on what he has overheard Don Pedro,
Leonato, and Claudio say:
This can be no
trick. The conference was sadly borne. They have the truth of this from Hero.
They seem to pity the lady. It seems her affections have their full bent. Love
me? Why, it must be requited. I hear how I am censured. They say I will bear
myself proudly if I perceive the love come from her; they say too that she will
rather die than give any sign of affection. (2.3.217-24)
§
If you quote all
or part of a single line of verse, put it in quotation marks within your text:
Berowne’s
pyrotechnic line “Light, seeking light, doth light of light beguile” is a
text-book example of antanaclasis (1.1.77).
§
You may also
incorporate two or three lines in the same way, using a slash with a space on
each side ( / ) to separate them:
Claudius alludes
to the story of Cain and Abel when he describes his crime: “It hath the primal
eldest curse upon’t, / A brother’s murder” (3.3.37-38).
§
Verse quotations
of more than three lines should begin on a new line. Indent each line one inch
from the left margin and double-space between lines, adding no quotation marks
that do not appear in the original. If the quotation starts in the middle of a
line of verse, reproduce it that way, do not shift it to the left margin:
Jaques begins
his famous speech by comparing the world to a theater:
All
the world’s a stage
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. (2.7.138-42)
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. (2.7.138-42)
He then proceeds
to enumerate and analyze these ages.
§
If you quote
dialogue between two or more characters in a play, set the quotation off from
your text. Begin each part of the dialogue with the appropriate character’s
name indented one inch from the left margin and written in all capital letters.
Follow the name with a period, and start the quotation. Indent all subsequent
lines in the character’s speech an additional quarter inch. When the dialogue
shifts to another character, start a new line indented one inch from the left
margin. Maintain this pattern throughout the entire quotation.
A short time
later, Lear’s daughters try to dismiss all of their father’s servants:
GONERIL. Hear
me, my lord.
What need you five-and-twenty, ten, or five
To follow in a house where twice so many
Have command to tend you?
REGAN. What need one?
LEAR. O, reason not the need! (2.4.254-58)
What need you five-and-twenty, ten, or five
To follow in a house where twice so many
Have command to tend you?
REGAN. What need one?
LEAR. O, reason not the need! (2.4.254-58)
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